Over at Snarkmarket, Robin Sloan makes some interesting points about writing as real-time performance. When I first read the title of his post, I envisioned a writer on stage, with a laptop, in front of a large audience of people observing the text he or she created on a large projection screen. Seems boring at first, but when you consider the potential collaborative contributions through Google Wave or another similar medium, how cool would it be if the audience themselves were adding text, editing storyline, or contributing in other unique ways? At the end of the "performance," every audience member would leave with a copy of the finished product. Or something like that. It definitely seems to be a possible reality, a step towards the mass audience text-production that Sloan hints at.
My question now is: how does this affect authorship? In my line of work, there is already enough scuffle over having seven or eight authors listed as contributors to a scientific manuscript. How could we even possibly start to evaulate the individual value of hundreds, maybe thousands of writers contributing to a text? These are exciting (and challenging) things to think about, especially if Google Wave delivers the potential it promises.
October 6, 2009
Subscribe to:
Post Comments (Atom)
popular tags
Blog Archive
-
►
2010
(93)
-
►
February
(36)
- "The Hurt Locker"
- 10 billionth iTunes song dowloaded
- Talking "Zaireeka"
- Avatar and mascots
- Holidaying Horrors
- "Shutter Island"
- Neurosonics live
- Curling explained
- Four Tet - "There is Love In You"
- "Running From the Cops"
- Dead academia
- Trey Anastasio Band - 2/18/10 (Pabst Theater)
- Do Not Turn Off
- No band names left
- Yeasayer - "Odd Blood"
- Noteput
- Amazon giving away Kindles?
- "Zombieland"
- Google Buzz
- Twitter Code Swarm
- You have anymore?
- How to shovel snow
- "Blood into Wine"
- Stayathomia
- The Samuel Jackson 5
- "The Immortal Life of Henrietta Lacks"
- "Though I Have Wronged You"
- Animal Collective - "Campfire Songs"
- Nicholas Cage Colorforms
- Tree House
- Can't breath when you wake up?
- "Splitting the Atom"
- Phish - St. Michael's College 11/19/92
- Gullshrooms
- "Pandorum"
- County Stadium switchboard
-
►
February
(36)
-
▼
2009
(594)
-
▼
October
(56)
- Happy Halloween
- Phish - 10/30/09 (Festival 8)
- Keep America strong...
- Supersilent - "9"
- Intelligence vs. musical taste
- "Whatever Works"
- MultiTouch Sphere
- Dematerialization
- The rich as separate species?
- 100 years of brains
- Lotus - Turner Hall (10/24/09)
- Beyond the apex of reading
- Them Crooked Vultures
- Califone - "All My Friends are Funeral Singers"
- A Day at the Office
- "Eden Log"
- "Super Hero"
- Festival 8 Art
- Colored water splashes
- Droid
- Willing to Pay
- Philosoraptor
- "Paranormal Activity"
- Red Sky
- DJ Hero
- Circulatory System - "Signal Morning"
- Heterogenous
- "Let the Right One In"
- Incomplete rooms
- Metaphor physicality (and digitality)
- Chad VanGaalen art
- "Inherent Vice"
- STS9 - Eagles Ballroom (10/9/09)
- Al's Run
- Pale Air Singers - "s/t"
- A Day at the Office
- "The Wrong Plane"
- "Brothersport"
- Obama wins Nobel
- The "art" of Carla Bruni
- Contribute 2009
- Barcode turns 57
- Best Phish jams
- ColorSplash app
- New STS9
- PhotoSketch
- Writing as performance
- New Chad Vangaalen EP
- Eel slap
- The Social Media Guru
- Warhol at the MAM
- The xx - "s/t"
- The existential Internet
- Marquette interchange lights
- Cletus and Shorty
- The bus is tweeting
-
▼
October
(56)
0 comments:
Post a Comment